By Howard E. Smither
Volume 1, divided into 3 elements, opens with the exam of the medieval, Renaissance, and early Baroque antecedents and origins of the oratorio, with emphasis on Rome and Philip Neri's Congregation of the Oratory and with specified recognition to the earliest works for which the time period oratorio turns out acceptable. the second one half recounts the improvement of the oratorio in Italy, circa 1640-1720. It studies the social contexts, buyers, composers, poets, librettos, and track of the oratorio in Italy, specially in Vienna and Paris.
The strategy tailored through the paintings is to regard first the social context, fairly the conditions of functionality of the oratorio in a given sector and interval, then to regard the libretto, and eventually the song. for every geographic region and interval, the writer has chosen for certain awareness a number of oratorios that seem to be fairly very important or consultant. He has confirmed the data provided within the really expert literature every time attainable by way of connection with the track or records. In a couple of parts, specific seventeenth-century Italy, during which particularly few past experiences were undertaken or secondary resources have confirmed to be insufficient, the writer has tested the first assets in manuscript and revealed shape -- song, librettos, and files of early oratorio historical past. remarkable learn and clever integration of disparate parts make this advanced, diffuse topic either readable and available to the coed of music.
Volume 2, The Oratorio within the Baroque period: Protestant Germany and England, and quantity three, The Oratorio within the Classical Era, proceed and extend the research of oratorio background. even supposing this sequence used to be initially introduced as a three-volume research, Smither will finish with a fourth volume.
This new work--the first English-language learn of the heritage of the oratorio becomes the normal paintings on its topic and a permanent contribution to song and scholarship.
Originally released in 1977.
A UNC Press Enduring variation -- UNC Press Enduring variants use the newest in electronic expertise to make on hand back books from our uncommon backlist that have been formerly out of print. those variants are released unaltered from the unique, and are provided in cheap paperback codecs, bringing readers either historic and cultural value.
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Extra info for A History of the Oratorio: Vol. 1: The Oratorio in the Baroque Era: Italy, Vienna, Paris
A History of the Oratorio: Vol. 1: The Oratorio in the Baroque Era: Italy, Vienna, Paris by Howard E. Smither